Today's review is of an Italian blend that's been hanging around my cellar for a few years, courtesy of friend and wine merchant Charles Bissell. I served this wine when I had some friends over for dinner; I made pan-fried pork cutlets battered with lemon juice, flour, and cracked black pepper.
The Aia Vecchia winery is a relatively new winery located in Tuscany, Italy. Their website touts the "wonderful climate" and "cool spring breezes" of Tuscany; I don't know how much wine they've had while writing that because when I was Tuscany, during the spring, it was so hot I felt like I'd melt into the ground.
Anyways, since I don't review Italian wines too often (I'm a French red man, myself), it bears discussing a bit about Italian viticultural naming conventions. This wine is indicated as Toscana IGT, which stands for Indicatzione Geografica Tipica. Remember what I said in previous posts about the protected labels? IGT is Italy's version of France's AOC or the US's AVA. It's like a trademark for wine, so when you're drinking a true Toscana IGT you know you're getting the real deal from Tuscany, produced under a certain set of regulations.
This wine is what vintners call a "super Tuscan" - that is, a blend of various Tuscan wines into one blend. It can be made from any number of Tuscan wines, like Cabernet Sauvignon, Syrah, Sangiovese, or Merlot, and even some rarer, non-Itlaian grapes like the French Bordeaux varietal Petit Verdot. Today's wine is 60% Merlot, with a smaller contribution of Cabernet Franc and Cabernet Sauvignon.
According to Wine Spectator, a "super Tuscan" is a term coined by Tuscan wine producers who wanted to escape the restrictive legal rules surrounding Chianti production, and to create a blend using a variety of non-canon grapes. They needed a term "to distinguish their wines from the inexpensive, low-quality wines that were associated with the term vino da tavola, or "table wine", that they were [otherwise] forced to put on the label."
Some of these wines can get pricey. I believe I spent around $24 for this bottle; some fine "super Tuscans" can push $250. But anyways - the wine:
Look at that red color! There was a noticeable aroma of alcohol and berry flavors right in the glass. I did the usual thing, and let it sit for a few minutes in the glass to it can open up. I'm also amending a previous habit - in the past, I used to uncork the wine, pour a little out, and then recork it and gently give it a few shakes before repouring. I'm now told that method is only good for certain wines, since shaking in that manner could disturb the delicate sediments of some wines. So, I didn't shake this wine, I just let it open up in the glass.
I really like how ripe the wine tastes. Lots of full flavor here, no thinness whatsoever and no overpowering alcohol flavors. It's got a good balance - not like the overly-berry R|Collection field blend (although that was good in its own way!) but also not thin or acidic. The finish has a nice little bite of tannins that I like as well. The flavor is nicely balanced, and I found it paired well with the meal I served. This is my first adventure into an Aia Vecchia wine, but I'm sure to seek it out again. In fact, recently at a work happy hour, I tried a Vermentino by Aia Vecchia and really liked it.
"Sip and Puff" is the personal blog of food & beverage writer James Liska. That's me! Since 2012, I've written about wine, beer, spirits, food, and restaurants. I focus on fundamental information, tasting notes, and overall thoughts rather than scores, harsh criticism, or arbitrary ratings. This supplements my other work such as writing for District Fray Magazine, creating cocktails, and posting more "everyday" stuff through my Instagram, @baconesque. Enjoy!
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